Tuesday, 26 January 2021

An intaglio of Eros riding a fish

 

I have recently acquired a 2nd/3rd century intaglio in dark blue glass paste in imitation of niccolo featuring Eros riding a dolphin or fish. This device is also reproduced on some Roman coin types, for example the Gordian III coin from the city of Deultum pictured below. I want to briefly explore what the device shows.

Eros was the mischievous god of love, a minion and constant companion of the goddess Aphrodite. But why the dolphin or fish? A quick Internet search brings up the answer.

Typhon, a Greek god, was bad and treated as an outcast by other gods. One day Typhon appeared and threatened the other gods. They all knew what Typhon was capable of, so each and every god made a run for it. In order to escape him, most of the gods turned themselves into animals, as to gain speed and agility. The only ones not to were Aphrodite and Eros, the gods of love. With Typhon closing in on them they were in trouble. At the last moment, two fish appear and they let Aphrodite and Eros jump on their backs. This way, the two managed to avoid getting caught by the evil Typhon. 

Pseudo-Hyginus, Astronomica 2. 30 (trans. Grant) (Roman mythographer C2nd A.D.) :

“Fishes. Diognetus Erythraeus says that once Venus [Aphrodite] and her son Cupid [Eros] came in Syria to the river Euphrates. There Typhon [Typhoeus], of whom we have already spoken, suddenly appeared. Venus [Aphrodite] and her son threw themselves into the river and there changed their forms to fishes, and by so doing this escaped danger. So afterwards the Syrians, who are adjacent to these regions, stopped eating fish, fearing to catch them lest with like reason they seem either to oppose the protection of the gods, or to entrap the gods themselves.”

Ovid, Fasti 2. 458 ff (trans. Boyle) (Roman poetry C1st B.C. to C1st A.D.) :

“Pisces, heaven’s horses. They say that you and your brother (for your stars gleam together) ferried two gods on your backs. Once Dione [Venus-Aphrodite], in flight from terrible Typhon [Typhoeus] (when Jupiter [Zeus] armed in heaven’s defence), reached the Euphrates with tiny Cupidos (Cupid) [Eros] in tow and sat by the hem of Palestine’s stream. Poplars and reeds dominated the tops of the banks; willows, too, offered hope of concealment. While she hid, the wood roared with wind. She pales with fear, and believes a hostile band approaches. As she clutched son to breast, she cries : ‘To the rescue, Nymphae (Nymphs), and bring help to two divinities.’ No delay; she leapt. Twin fish went underneath them; for which, you see, the present stars are named. Hence timid Syrians think it wrong to serve up this species; they defile no mouths with fish.’”

Sunday, 10 January 2021

The raising of Lazarus on a Roman redware fragment

 

Many years ago I acquired a fragment of Roman North African redware from the 4th century AD. Part of the moulded design featured a sheep. I've recently come across a similar bowl that allows me to postulate what the full design is. 

On a dish recently offered for sale the design has been shown to be the raising of Lazarus, the sheep and the foot of the right hand character being visible on the fragment. 


A terra sigillata chiara redware pottery bowl with applique decoration depicting the raising of Lazarus by Jesus.

Lazarus is shown as a figure wrapped in a shroud within a pedestal tomb and Jesus is depicted as the Good Shepherd carrying a staff and herding a ram. To the other side is a bearded figure with his hand raised in praise.

Early depictions of Jesus are not common though the story of the raising of Lazarus was popular in Roman funerary art, most notably on the wall frescoes in the catacombs in Rome due to the obvious importance of the message of resurrection.

Friday, 11 December 2020

The kothon


Re-reading, for the first time in years, through my copy of Courtesans and Fishcakes, the Consuming Passions of Classical Athens (James Davidson, 1997) I encountered a form of classical Greek pottery cup, the kothon, that I was familiar with.

I've had a large fragment of the Greek, black glazed, ribbed drinking cup on my fireplace mantel shelf for years but had not remembered the references in the Davidson book to the colour and form.


The ribbed cup is of Spartan origin and, according to Critias of Athens, is an appropriate cup to carry on military service. It is compact and easily transported in a kit bag, the black colour means that unclean water encountered cannot be easily seen, and, finally, the cup's ribbed body form retains impurities. Despite the written benefits of the kothon for drinking less than clean waters it retained notoriety as being the form of vessel for drinking deep and over indulging in wine promoting drunkenness. 

Friday, 4 December 2020

Roman shipping tesserae from Ostia

 

My new ship tessera, Stannard 10.1

About twenty years ago I encountered my first two ship tesserae from Ostia in CNG sale 53, lots 1434-5. Shortly after that I acquired an example and, much to my later regret, sold it on. I have now had the pleasure of acquiring a new example, listed in the auction catalogue as being ex Italo Vecchi collection (although it may just be ex Italo Vecchi Ltd Nummorum Auctiones 15 (1999) sale ).

Looking through Neville Stannard's 2015 paper in Numismatic Chronicle, where he shows all the examples that he is aware of, my new specimen, Stannard 10.1, looks to be from the same die as the specimen that I had before, Stannard 10.5.

My original tessera, Stannard 10.5

Not only that it appears to be one of the ship tesserae that was illustrated in Ladich's Cronaca Numismatica paper (from 2006, not 2008 as stated in the Stannard paper?).

Ladich's illustrations, note the second one down, "NPV" in error

Tuesday, 18 August 2020

The earliest coins of the Nabateans

I have recently been cultivating an interest in the coinage of Nabataea, centred on Petra and covering parts of North Arabia, the Transjordan and Syria.

The earliest coins ascribed to Nabataea have no real identifying legend but the association is down to the provenance, the area in which they are found and the coins they are found with. 

It was only by chance that I was reading a note by Rachel Barkay in the 2015 volume of the journal Aram that it was pointed out that the earliest Nabataean coins imitate, in bronze, the gold staters of Macedon struck by Alexander the Great and Philip III featuring the helmeted head of Athena on the obverse and Nike on the reverse. 

Friday, 31 July 2020

A coin of the Mamluk Sultans finally identified


Patience had finally paid off. Sitting in the garden with a cold cider on the hottest day of the year I think that after over 30 years I have identified this coin.

I knew it was Mamluk but I just couldn't get it. In one final attempt with Balog, Coins of the Mamluk Sultans, I have it. Al Nasir Muhammad, 709-41AH (1310-41AD) copper fulus,  third reign , Cairo mint, Balog 221.


Wednesday, 20 May 2020

The last "supermoon" of 2020


Finally got around to downloading this image of the Moon, taken by me on 6th May 2020. It was a so-called a "supermoon", the third and final one of 2020. The term supermoon is used to refer to a full Moon on its closest passage to the Earth, or at lest within 90% of its closest passage.

What this means is that this passage was within 224,429 miles (361,184 km)