Tuesday, 19 June 2018

A Bronze Age Cypriot flask


I have finally got around to photographing a small pot in my care. Seemingly rebuilt from many pieces and is incomplete. It is a long necked bottle of Karpasian red and black polished ware from the north eastern peninsular of Cyprus. The form is known as an onion shaped flask and this piece is missing a long neck.

The pot dates from the early Cypriot Bronze Age, 2700-1900 BC.




The designs on the body of these flasks have been studied and catalogued and this piece is the product of the artist referenced in the catalogue of the Desmond Morris collection of ancient Cypriot pottery as “tiered diamond artist, style A”. It is note that the artist has a distinctive, calligraphic quality with the lines being boldly and heavily incised. The characteristic element is the blunt ended hatched diamond (just visible on this piece) with an open inner border. The horizontal bands are thick with six or seven lines. DM-RBP-109 is the closest in design to this example. 

Monday, 28 May 2018

Weighing ancient gold coins

Genuine Roman gold solidus of the emperor Valens 


The weighing in ancient times of gold coins ensured that they were neither cut down nor plated inferior specimens. The acquisition of a new ancient coin weight has prompted this post showing real and ancient imitation gold coins as well as the associated weights. I’ve also come across a couple of ancient texts that support the approach to Roman and Byzantine gold coins.


Contemporary base metal gold plated imitation of a solidus of Constantius II

First of all we have the Codex Theodosianus from AD 325:

“The gold which is placed on a levelled balance is to be counterpoised by equivalent weights in such a manner that it is evident that the top of the suspension cord is held by two fingers, while the three remaining ones should be free to point towards the tax collector, so that they neither depress the weights nor disturb the level, but help to maintain the correct balance.”
Bronze weight for three solidi

We also have a declaration of the emperor Julian II on the occasion of his fourth consulship in AD 363 to Mamertinus:
Bronze solidus weight

“The buying and selling of solidi is impeded if anyone clips down or diminishes or – to use the proper avarice – nibbles them away, for some persons refuse them as light or inadequate. It therefore pleases Us to appoint a zygostates (weigher) as the Greek word terms him, in each city, who on account of his faithfulness and industry will neither deceive or be deceived , so that if a dispute shall have arisen between either seller and a buyer of solidi, it may be settled according to his judgement and reliability”

This bronze Egyptian coin from the early 280’s clearly shows the method of weighing coin with the free pointing fingers well in advance of the formal edict.




Saturday, 24 March 2018

Martial's Epigrams


Working now in the centre of York I can regularly call into a number of my favourite haunts. On one such lunchtime trip I came across a cheap, rather tatty copy of Martial's Epigrams. I wasn't intending to buy it when I picked it up to look through it but  I saw it contained over twenty plates of Roman coin engravings.

This book was originally published for the education of the Dauphin (Delphinus), the young crown prince of France, the future king Louis XV. Great care was bestowed on the editing and printing of the series. 39 editions of Latin authors, from Cicero to Ausonius, also difficult ones like Festus and Manilius, were published by leading or promising French scholars. They were also meant for a broad public and offered introductions, reliable and readable texts, easy interpretations, and philological, educational and historical notes without too much philological niceties, or textual criticism. The series was a huge success. This particular edition of Martial was a weak link in the series, and had consequently little success, for it was reissued only once, in 1701. It was originally produced by the otherwise unknown French jurist Vincentius Collesso, or Vincent Collesson, and was first published in Paris in 1680. 

This edition of 1701 is the only reissue of the Martial of Collesso. It was produced by the Dutch scholar Ludolf Smids, who enriched and elucidated the text with engravings of numerous coins. At the end, as in the original edition of 1680, we find on 56 pages the 'epigrammata obscoena'. Ludolf Smids, 1649-1720, became Doctor of Medicine in 1673 in Leiden. He went to live in Amsterdam, where he spent more time on the study of history, antiquities, poetry and numismatics than as medical practioner. He wrote plays, poetry, and several books on numismatics.

Sunday, 11 February 2018

Vabalathus

I have a thing about Roman usurpers and in particular the Palmyrene revolt of  the 270s. I have always promised myself that if ever I get a boat I will name it Zenobia after the wife of Odenathus and mother of Vabalathus, the ruling family of the time.

Most of the coins of Vabalathus name him as VCRIDR, acknowledging him as a client king. Vabalathus is laureate and therefore clearly subordinate, iconographically, to the Roman emperor, Aurelian, with a spiky radiate crown, who appears on the other side

There is a very rare series, however, where Vabalathus is acknowledged as emperor and a series of deities appear on the reverse. I have just acquired a second example with Hercules on the reverse, holding a club and the apples of the Hisperides.

The revolt was quickly crushed in 272AD. Vabalathus and Zenobia were taken to Rome. Accounts vary as to his fate, some say he died en route while others say he was paraded with Zenobia, his mother, and Tetricus senior and junior who had revolted in Gaul.


Saturday, 18 November 2017

Early mechanical carriages


A number of years ago I acquired a run of The Antiquary journal from the late 19th century. One of the articles in there, spread over several parts, appeals to my “steam punk” nature. In the volume for 1896 the title is Early Mechanical Carriages by Rhys Jenkins.


It is a series of descriptions of weird and quirky prototypes for vehicles, accompanied by woodblock prints from the seventeenth century through to the nineteenth century. I really doubt that man of these ever progressed beyond the drawing board phase and were ever built. They look like the entrants in a Victorian “Wacky Races” event.

Several years ago I offered the article on eBay, quite cheaply, thinking that people would be interested in buying it and framing the diagrams. Luckily it didn't sell and is still intact. Hope you enjoy the pictures.


 


Monday, 13 November 2017

An eastern antoninianus of Valerian I

Valerian I, antoninianus, Samosata mint, Göbl 1682e

I recently acquired this coin of Valerian I (253-60AD). Struck at the mint of Samosata (Samsat in Adiyaman province, southeastern Turkey) the reverse is quite clearly is referencing eastern events with two victories affixing a shield to a palm tree and with the legend VOTA ORBIS.

It may be marking the dedicatory vows anticipating the military campaign in the easy against the Sasanid ruler Shapur I, a campaign that was to end in disaster through the treachery of one of Valerian’s military commanders. Valerian was captured, in AD 260, by Shapur and was never to be seen alive again, having been reputedly killed, stuffed and used by the Sasanid ruler to mount his horse.

The capture of Valerian in 260 was seemingly the catalyst for a number of revolts right across the Roman empire that were to set the tone for the next fifteen years.

Monday, 30 October 2017

Mauseus on Facebook

Mauseus is now on Facebook.

Mauseus Facebook site